Tag Archives: abuse

Private Show

WARNING! DISTURBING CONTENT
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………………daddy
………………….daddy holds
……………………daddy holds a
…………………….daddy holds a private
…………………….daddy holds a private show
……………………………….holds a private show
……………………………………….a private show
………………………………………private show
………………………………………………show

………………………………………………..uncles
…………………………………………..uncles come
………………………………………..uncles come and
…………………………………. ….uncles come and pay
……………………………… …..uncles come and pay to
…………………………………uncles come and pay to see
………………………………………. .come and pay to see
…………………………………. …….  …and pay to see
…………………………………  …………..pay to see
………………………………………  ………..to see
…………………………………………………..see

………………………………………………….my
…………………………………………………my poor
……..;;……………………………………..my poor life
………………………………………….my poor life bleed
………………………………………my poor life bleed away
……………………………………poor life bleed a
……………………………life bleed a……………w
………………….bleed a…………..w…………….a
………………………….w………….a……………..y
………………………….a…………..y
………………………….y
……………………………………………………………..away
………………………………………………………………………

.

Written for Michelle’s Photo Challenge, this poem is designed to be uncomfortable and difficult to read, to cause visual distortion, and to shock, since the subject matter is horrific.  

©Jane Paterson Basil

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The Author of my Being. Part 4

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…The continuing story of the trauma that threaded its way into my life when I reached puberty. Click on the links to read Part 1, Part two and Part 3.

WARNING! ADULT CONTENT

I recently turned eleven. Thanks to my mother’s gentle tact, I’ve bathed by myself since the start of pubescence. Now both my sister and I have more space to splash.

I lock the door against invaders,
but the peace of security evades me.
I imagine prying eyes, spying through the frosted window,
dribbling at my prematurely curved body.
I hide my breasts and genitals beneath clean flannels
that my she-devil nipples and the wilful triangle of hair
are concealed from peeping-toms,
and also from me.

I could soak and scrub all day,
but it won’t change the way I’ve become.
It won’t make me clean.
I can never be Me again.
It’s a cruel error,
this forced, false femininity;
this stealing of self.
It’s the end of everything.
Please Lord, if indeed God you be,
let me be a boy.
Let me be me.

I want to wake up free from this monstrous body, throw off my vest and run in the fields
unencumbered by the trials of Eve, but I don’t know how to strike a deal. In my panic, it doesn’t occur to me that a boy must eventually morph into a man. Recent events have made me less sure than ever of whether I like men.

Smashing up against all of this angst and agony, is the worst secret of all, one that often creeps up on me when I see my father’s photographs, and whenever I am alone in the bath. It’s a  humiliation that I try to press down, but I can’t. It thrums in time to the pulsing of my blood, a tantalising tickle way below the belt, lurking low in the belly, beneath budding flesh.

A flimsy flannel may cover up the sight of that rebellious part of me, but it cannot desensitise the site.

The beat is taking me, strumming deep inside,
I try to block advice from some devilish guide
plagueing me with vile and wicked temptation
to stroke and to probe the inner inflammation.
Apalling visions are swishing in my head
of naked women kissing in a sweat soaked bed.
I abhor the excitement which billows within,
insisting that I execute a dark, exquisite sin.

The thrills explode, but as the water grows chill,
I’m chagrined and angered by my weak lack of will.
I wallow in disgrace and I’m sure of one fact
It can’t be normal to commit such an act.
I’ve a nasty suspicion that I’m to blame,
For my father’s iniquitous act of shame,
and not only that, but the juvenile attack
is starting to feel like an earned comeback.

More ignominy awaits. My mother, with her kind sensitivity, has left it as long as is practicable, but one evening she brings the subject up, in as casual a manner as she can muster:

“When we go to town tomorrow, I’ll buy you a couple of bras.”

Heat presses against me, insinuating itself beneath my skin. My heart is hammering. I taste metal, a flavour that’s becoming familiar to me. I knew there could be no remission, but this feels like proof; the final nail, hammering into the coffin of childhood..

“I don’t… I can’t… I… All right,” I reply.

Her eyes slide in my direction, assessing the situation, then look quickly away. She knows I’ll shut shut down or hide my agony behind a mask of anger if she shows too much kindness or empathy. A brief sentence is all I’ll allow. I deal with unpleasantness in my own way. I don’t like soppy stuff, it’s for weedy girls, who burst into tears and let mum cuddle them and make it all better. My problem can’t be resolved, and expecially not in that way. I mustn’t show weakness.

If I was a weedy girl, I would probably be pleased to have reached this landmark. I no longer know what I am, but I’m not like the sissies in the village nearby, with their busty Barbies, frilly skirts, and pink hairslides.

“You’ll be more comfortable in a bra,” she murmers.

It’s evening, so I can’t run off to my world at the bottom of the field below my house, but when I go to bed I can plan how my first conversation with Paul will go. I see him, sprinting through the field towards me, his hair bouncing. In a moment I’ll reveal myself…

The next day, mum and I go into a low-key shop, a shop that’s not brazen about its bra display. I can’t look at the bras. To me, choosing one would be like selecting which type of lethal poison to take when you have no wish to kill yourself. Mum rummages around, then picks one up and asks me if I like it. I’m several feet away, trying not to look like someone who’s being bought a bra, so I mutter that it’s fine. I’m too embarrassed to try it on, so she guesses the size, gets two, and says that if they don’t fit she’ll bring them back and get a different size.

At home, I obediently go to my bedroom and try on one of the bras. It’s a horrible white pointy thing – this is 1966, and horrible white pointy things are fashionable. It feels uncomfortable, but I was expecting that. I can’t bear to look at myself, so I don’t know whether or not it fits. I take it off. I only plan to wear it for school. I go downstairs, where mum is trying to look indifferent.
bra1
“Do they fit?” she asks.

“Yeah, thanks mum, they’re lovely” I say, attempting to sound keen.

As it turns out, they don’t fit. Anywhere. I endure months of increasing itching and chafing before mum risks suggesting that I may have grown out of my first bras. We go through a slightly different routine, with a marginally less painful result. My mother, without fail, does her best for her strange, repressed boy-daughter. She has many difficulties in her life, and, however it may seem, I do my best not to be one of them, perhaps with less success than I would hope. Wanting to please me, she asks me if I like the style of my current bras. I don’t want to her to feel she’s failed in any way, so I say yes, thereby precipitating the purchase of exactly the same ugly, uncomfortable style. The fit is little better. I come to the conclusion that the mistake of my birth is worse than I thought. Not only have I inadvertantly been made into a girl, but my shape has been inaccurately designed.

Still, I think, at least this time I didn’t have to go through the discomfiture of being present when my mum bought the bras.

My father has taken to covering up his disgrace with fake jollity, adopting a hail-fellow-well-met attitude whenever I’m present. This is an in-between time in our relationship; it could go either way. He could apologise, and make whatever dumb excuse he may please. All my life he’s been a hero to me, so I’d be eager to forgive him, but in addition to being sexually driven, he is proud, arrogant, and selfish, so there’s little hope for real repair, and anyway, maybe I’m in the wrong, too. I’m the one who’s turning into a filthy monster. What he did could be partly my fault.

©Jane Paterson Basil

The Author of my Being. Part 3

… The continuing story of the trauma that threaded its way into my life when I reached puberty. Click on the links to read Part 1 and Part two.

I would like, at this point, to introduce you to The Author of my Being. The link below makes interesting reading – and viewing; even for me, although there is no information of which I was not already aware, and no photo which I haven’t seen. I grew up surrounded by them.

Remember, the photos you see are pre-1955… many of them are a little risque for their time. I believe the originals of the prints on this site are in the posession of my sister, but I have others.  I couldn’t bring myself to throw them away. They form an important part of my history, and who knows, they could even be valuable. I keep them hidden well out of reach, as some of them depict adult family members.

Dear reader, please say hello to a charming, intelligent and likeable man. I say this without a trace of sarcasm – he was all of those things, and so much more…. Here is a link to my father, the eminent photographer:

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↓ ↓ link ↓ ↓

,ANTONY BASIL

↑ ↑ link ↑ ↑

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Beyond that, I’ll keep this post short…

A while ago I was looking for images of one of my daughters, when a photo of me surfaced. My dad, having been a renowned photographer, before he gave it up to become a toil on the land (all of which you know, if you clicked on the link), gave us each a Brownie 127 camera. One of my brothers must have taken the photo, which was captured just as I was stepping out of our kitchen door. The expression on my face made me cry. I looked at that photo so many times over the years, wondering at my expression. I never made the connection before. Suddenly I knew; it was taken just after my dad had deflowered my mouth with his tongue.

I look as if I am lost, and am looking for a way home.

to be continued…

©Jane Paterson Basil

The Author of my Being. Part 2

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More about the trauma that entered my life when I reached puberty. Part 1 can be found immediately below this post, or you can click on the link HERE.

A few weeks after my father rams his tongue down my throat, a fifteen year old boy who lives down the road lures me into a caravan to “show me something”. Once there, he pushes me onto the bed, pins me down, and tries to tear my clothes off. At first, Im too shocked to take in the nature of his intentions. Terrified, I think my life depends on my escape.

Fear is metal-flavoured. Later I will learn about the chemicals released by the body, which prepare us for fight or flight, but at this stage I know nothing of adrenalin.

He’s underestimated the accuracy of my fierce reputation, and the strength of metal. I struggle free, and punch him a couple of times. He reels backwards, finds his footing. Blushing, and staring at the floor as if in search of some small thing he has lost, he stutters a three syllable apology, which repeats. He’s stuck, and doesn’t try to stop me from leaving.

I’m confident that not even a boy five years older than me will dare cross me twice. I’m correct. I have ways, and I take to making his life as difficult as possible. I’m safe from him, but nothing can exorcise the feelings of rage and shame that hit me again and again, every time I think of the attack. I feel no conscious blame, but somewhere deep inside, I’m soon to start totting up the abuses.

Meanwhile, my father and I are avoiding each other’s eyes. He’s floundering, scrabbling to plan a strategy. I spend a lot of time on my own. I’m often to be seen running through the field below our house. No longer is it a joy; merely an escape. When I reach the bottom corner, I crouch down and crawl into my secret, secure space. This den is a miracle of nature, its earth walls dry and lined with tree roots where I conceal my private writings and pictures of Paul McCartney. When I show him my tiny hideout, I’ll invite him in. We’ll sit opposite each other, our feet touching, while I show him all the items I placed here in preparation for his arrival. Everything which belongs to us is here, everything which reminds me of him. This is my shrine to him.

Paul is going to save me. One day his limousine will choose a scenic route to a nearby gig. While passing a gate at the top of the field, he’ll spot the clump of trees close to my den. With a strange sense of destiny burning in his chest, he’ll ask his driver to stop, get out of the car, leap the gate, and eagerly sprint down through the field toward the trees. Like a sprite, I’ll reveal myself.

Only then will he know that the hollow emptiness that has always stirred in his soul was due to the lack of me in his life. We’ll spend the rest of our lives climbing trees together, playing tag in warm shadows and running in the sun. On sleepless nights we’ll talk to each other about our perfect world, our silver voices flowing across the small gap between the separate tents in the field where we sleep.

This is my deepest secret. It’s the reason why I smile as I write in honour of him.

It will happen. Soon. It has to.

Our lives will be serene.
Our love will be clean.

I was ten years old, traumatised by sudden, unwanted changes, both in my horribly blossoming body, and in my  life. I dispised and feared the bulging bits, the blood, the bending cramps, and a future which may be filled with bastards who squeezed me as if I was a squeeky toy. When I was in my den, I lived out a fantasy. At all other times I continued to pretend I was a boy. It seemed like my only defence.

My innocence clung to me as tightly as I clung to it.

to be continued…

©Jane Paterson Basil

The Author of my Being. Part 1

MY DAD. By Jane Basil, aged 8 years and 7 months

My dad’s the best. He can do anything. He can draw and paint, make sculptures and pots,build walls and shelves, and fit doors and window frames. He can answer any question and tell you whatever you want to know. He’s the cleverest dad there is.

My dad’s quite famous and is sometimes on TV. People want to meet him, and talk to him about art. I think he likes the women that come to see him best. They come a lot. 

My dad treats me well and tells me I can do whatever I like with my life. He says the only limit is my ambition. He knows I’m a girl, because everyone says that when I was born he was thrilled to have a daughter, but he lets me do the same things as him. I can help to mix concrete, and put up a course of bricks. I can knock nails in straight almost every time. Yesterday I carried tiles up a ladder, and handed them to him, so he could mend the roof, but today I’m helping my mum in the kitchen.

Dad’s in the studio side of his workroom doing stuff I can’t help him with.

My mum’s lovely and ever so kind, and cooking’s all right, but it’s for girls. I’m certain there’s been a mistake; I was meant to be a boy.

>

I’m ten years old.
Naked women crowd our living space,
their painted shapes pressed against framed glass,
or shaped in oak and in clay, arranged just so, on every flat space.
Shelves bend beneath the weight of fat albums
brimming with glossy breasts and hips, captured in Kodak Bromide.

In the workshop, chippings curl beside finest chisels.
Deep within an oaken block, another naked form
waits patiently to be unpeeled by her master’s eager hand.
No more than a coy shoulder is yet revealed.
Her eyes have not been created, and cannot see the devan,
where a lady lies, and the camera clicks.

My mother speaks gently of the aesthetic beauty of the fleshy curve,
making no mention of lascivious urges.
I see no trace of bitterness on her face,
or guess at any untold ache.

I’m too young to think of lipsticked kisses,
of tangled tongues or stolen intimacies.
Too young to place the scent of my father’s sins.
I think he’s the best; I bask in his praise
and revel in every task he sets me.
He seems to silently accept that I need to be a boy.
Maybe he sees that it’s better this way,
as girls are prettier than me

To my shame, my body is changing.
I can’t stem the growth, or the flow of blood and time.
All the same, I feel proud when my father suggests photographs;
he’s taken no pictures of me since I was three years old,
and even then his act was unwilling.

I choose a bulky jumper to cover up my determined bumps.

After a couple of clicks, he wants me to take it off.

He’s my father, so where’s the harm?

(A lifetime later, I still blush when I see what he has done to me. My blouse is a shiny sky blue, and he has made me pull at the hem, exposing the shape of my breasts, and look down, as if I am admiring them.)

Next, he wants me to remove my top. I love this man;
if it were possible,
I would stand naked for him, but I can’t.
I’m embarrassed, but there is something else,
something very wrong.
I try to grab it it, to find a diagnose,
but I feel dizzy.
My ears ring, making me stutter as I utter my refusal.

I’m hot, and something is dying. I can feel it in the air.

His game lost, he selects his consolation prize.
He chooses disgusting French kisses, and a grinding grope.
I see his eyelids droop as he considers the ultimate crime,
but he crushes the idea.

With a sneer he says
“I think you enjoy being kissed like that.
I think it makes you feel good,
but you’d prefer it with someone younger.”

I can’t speak for horror and lack of oxygen.
I feel nausea rising.
Grasping the door handle, I stagger
out into the fresh air and spit.
I spit and spit,
but the taste of my father’s iniquity has spread
to my gut. It has filled my lungs
and is making its way to my heart.

I

am

ten

years

old.

Without warning, war has begun.

There will be retribution for my denial of his will.

There will be revenge that he dare not steal his filthy thrill.

He will bend my childish spirit and redesign my mind.

>

I chose not to include images, as none would be appropriate, except the photos he took of me, and my scanner won’t let me upload them – perhaps it’s concerned for my modesty.

to be continued…

©Jane Paterson Basil

Breaking away

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They never listen when you say
that each instance tips the scales.

Every time they go beyond the pale
you move a measured step away.

They think that you are only there for them to use;
their ascendance suggests that they will never lose.

Metre by metre your mind recedes,
hidden behind your bulk and their egos.

Too blind to see each retreating pace,
one day they search for you in vain.

You’re out of reach – a distant speck
vaguely silhouetted against the sunset.

 Your freedom comes with grief for what is lost,
but you must count your blessings, not the cost.

The Daily Post #Measure

©Jane Paterson Basil

Thirteen

thirteen

I’m thirteen,
dreaming in bottle green box pleats, rolled at the waist,
to display my knees and a hint of sleek, wicked thigh,
a sly pretence at womanhood, and 1968’s fashion statement
for rebellious school-time teens.
I’ve dabbled in suggestive games played with eyes and shy, but sneaky smiles,
but these days I look askance at boys who would try to dance
a horizontal jig with me.

I’m thirteen,
dreaming in bottle green box pleats,
in lessons two and three on Tuesday.
While our biology teacher speaks of sexual reproduction in plants,
I shrink and blush, thinking of
the
other
kind of
you-know-what;
the thing that men and women do.
The act that my parents must have undertaken at least five times, as that’s how many children they had, and I’m sure my mum only did it because she wanted us, but I’m not so certain about my dad, as men have needs which I don’t want to think about; I don’t want to, but I can’t help it. There are pictures in my head and I want to dispel them; my poor mum, having to do that; my poor mum, and I know I will never be able to do that – that- that thing again. I didn’t want to the last time, but I was held down, and he was stronger than me. Nobody had been stronger than me before, but I didn’t have the strength to fight and there was so much blood I could smell it like iron up my nose and someone was screaming crying for mum and the sounds came from my mouth and it hurt and I was scared and I struggled but he was gripping my arms against my sides and my mouth his tongue his tongue I didn’t bite it I was too frightened at what he’d do what he was doing and everything was wet even before I felt the gush and then it stopped but somewhere inside me it never stopped it never stopped and a few days later I was told about the blood in the back of the car and somebody laughed not knowing it was mine and weaving through all the pain I felt shame that my violation my disgusting secret had somehow become a dirty joke and on top of knowing that I must be to blameI must be to blame I couldn’t tell anyone because of the oh-so-hilarious seepage on the leather car seat I couldn’t let them know it was me they were laughing about me who had been ravaged unravelled my petals screwed up screwed up screwed sinking away with my mind and why do I speak in metaphors when the word is something harsh which rhymes with:

tape, tape that adheres to my secret places, filthy tape from which there is no escape,

ape, ape that takes what he wants, then ambles away, sated,

grape, grapes which you pluck from the vine and bite and chew spitting out the pips spitting wet dribbling things it plays out in my head taking me back taking me back where I hear a baby crying mummee mummee and the baby is me being born into hell.

The bell rings.
We troop out, an unruly crew speckled with the better kids;
the studious boys with shiny shoes,
the plain and pretty budding little ladies, pigtails swinging
and no rolled-up bulk beneath their waist,
too well-behaved to be raped by a neighbour,
too cool to mistake him for a friend.

In English I make a mental list
of things that wouldn’t melt in their sensible mouths,
and when coughs and shuffles ruffle the silent air
I practice sighing my mantra so quietly
that none but me can hear.
My top teeth touch and and release my lower lip,
followed by a curl of the tongue, a breathing aah,
another tongue-trick, this time hitting my palate,
rolling a little, and releasing
a final, subtle, “key” sound.

I am thirteen,
dreaming in bottle green box pleats.
I should be reading,
but each word brings me back to you and my dilemma.
It’s not that you won’t understand,
more that it’s embarrassing to have to explain.
Maybe I’ll wait until I’m sixteen
and we’re engaged and making wedding plans.

You’ll understand, I know you will.

I’ll say I can’t do the thing that other couples do between the sheets, the thing that squeezes suffering children through bruised tubes; the thing they call normal. Some say it’s fun. I know that’s not true, unless you’re a man, forcing his way in, invading you. I knew that before he made me do it. I knew the moment I heard the dirty words whispered in the schoolyard.

You’ll understand I can’t do it, I know you will.

You’re above such base desires and you’re one of the only two people I told about what he did to me, although I never described the searing pain the bruising the limp that I had to cover up for shame or the sting or the itch that doesn’t go away and maybe nobody told you how funny it was that there was blood on the grubby upholstery the grubby upholstery that had been flattened by so many arses before my bare skin got crushed against its greasy surface.

You’ll understand that we can’t have children. I know you will. You don’t have those base desires, and even if you do, you will crush them because you love me so much.

I am thirteen,
dreaming in bottle green box pleats,
and I love you so much that it hurts to be anywhere but by your side.
I don’t understand, as I refuse to believe the world
is the way they say it is.

I am thirteen,
and though you are the best thing I can see,
a romance which will play out endlessly in my memory
and you will forever be the beginning
and the meaning of love for me,
I am dreaming a fantasy.

©Jane Paterson Basil